Set in contemporaSet in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
工(🥊)(gōng )厂停(📅)(tíng )工,张(🛏)金生(shē(🤼)ng )无处(chù(👼) )可去,他(🍆)独(dú )自(👵)一(yī )人(📳)在工厂(✉)徘(pái )徊(🐡),一段古(🚲)怪的声音(yīn )把他引入另一个(gè(🔎) )世界,那(🗯)里时而(🥍)(ér )漫天(🥍)大雪,时(🕘)而(ér )寂(🖐)静荒凉(🚸),他看(kà(🐒)n )到了不(🆕)同的自己。
《莫霍克人》立意(yì )为历史剧,发生(shēng )于(🔏)1812年第二(🐻)次(cì )独(🛠)立(lì )战(🏒)争接近(🔰)尾声之(🍯)(zhī )时,但(♍)随着美国(guó )原罪在眼前展开(kāi ),由此产生的神(🍠)(shén )秘色(🧘)彩和恐(🚬)怖效(xià(🔘)o )应让(rà(🔕)ng )这部影(🍜)片真(zhē(🔌)n )正成(ché(💦)ng )了令人(🍺)毛骨(gǔ(🗳) )悚然(rá(📟)n )之作。
洛朗(lǎng )(Laurent)家是(shì )一个富裕的(🍂)上层(cé(🐰)ng )中产阶(👅)级家庭(🕙)。80多岁的(🦁)老人乔(🐕)治(zhì )·(🍉)洛朗(George Laurent)逐(👍)渐陷入(rù )老年痴呆。他和(hé )两个已婚的儿女托马(mǎ )斯(🈴)(Thomas)和安妮(⛄)(Anne)一(yī )起(🌄),正不自(🛩)在地(dì(🤓) )分享(xiǎ(⚓)ng )他在加(🔜)莱(Calais)富(fù )丽堂(táng )皇的庄园。离异(yì )而冷漠的安妮(😼),不得不(💤)承受因(🎩)儿(ér )子(😾)皮埃尔(🔛)(Pierre)的失职(⚪)(zhí )而导(⛩)致的灾(😧)难性(xì(🎬)ng )工作(zuò(🔠) )场所事故的影响(xiǎng )。与此同时(shí ),托(tuō )马(🕐)斯的前(💺)妻(qī )因(💛)一(yī )场(🎽)神秘的(🈵)中毒而(🖐)(ér )被紧(🈳)急送进(🤯)医院(yuàn ),导致他13岁的郁(yù )郁寡欢的女儿艾(ài )芙(Ève)与父(🔵)亲和他(🏭)(tā )的新(🚼)婚妻子(🍻)安娜伊(🌖)思(sī )(Anais)生(👧)活在一起(qǐ )。毫(háo )无疑问,在(zài )这个(gè )家庭中,每(měi )个人(🍆)(rén )都有(📄)不可告(🛐)人的(de )秘(🌶)密,而随(🚉)着洛(luò(😽) )朗家的(🔺)命运与(📸)持(chí )续(😓)而不光(🅾)彩的欲(yù )望交织在一起,一种(zhǒng )特殊而(🚮)又令人(🤥)不(bú )安(🦈)的联盟(🏺)就(jiù )会(⛏)形(xíng )成(🀄)。但最终(📔)(zhōng ),有(yǒ(🧔)u )些更大的秘密即(jí )将揭晓……
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
宇宙(zhòu )犯罪者ベムル(🗝)とその(🐺)一味を(🍙)追って(📐)地球に(🥅)やって(🦕)きた宇宙の警察と呼(hū )ばれるスパンデクサーの一(🐨)(yī )人ス(🐲)パンデ(🌓)クサー(🍃)Aは、(🍳)ベムル(🤝)たちに(🤒)襲われ(🌋)ていた(🚌)地球の(🍔)捜査官・目白を助けるが、そのため(💐)にベム(🚌)ルたち(🛃)を逃が(㊙)してし(🍊)まう。目(🔺)(mù )白の(🙅)協力の(🐃)もと、地(dì )球に残ってベムルを倒そうとするスパ(🍯)ンデク(💇)サーA(⏮)の前に(🍣)、宇(yǔ(🍑) )宙の犯(👯)罪者たちがスパンデクサーたちを倒すために作っ(🔢)た人工(🍞)(gōng )生命(🐛)(mìng )体ゾ(😟)ーラが(🦗)現れる(🐥)。スパン(🤣)デクサ(🕙)ーの弱(🌠)点の物(😛)(wù )質で作られたゾーラに敗北したス(🏃)パンデ(👫)クサー(🏩)Aは、(😂)ゾーラ(🦅)に拉致(🕝)(zhì )され(🚪)壮絶な(📇)拷問(wèn )を受ける。そして残虐な性格のゾーラは、目(🔉)白(bái )を(👳)捕らえ(👹)て、家(🏗)(jiā )族に(💬)危害を(😼)加えられたくなければスパンデクサーAをその手(🌾)で殺す(⛸)ように(🔙)命令(lì(✌)ng )するの(🆓)だった(🐎)。
法国(guó(🐔) )《电影手(⏯)册》2018年(niá(🍵)n )度期待(🤺)榜单重点(diǎn )推荐影片之一,影片采用16mm胶(📞)片拍(pā(🚱)i )摄,具有(📫)极致的(🛵)(de )迷幻色(🎻)彩,影像(💏)超级(jí(🈚) )大胆,故(🕋)事(shì )讲述(shù )5个热爱艺术(shù )的“野小子”的罪恶(è )之行,让(⛎)人想到(🦅)(dào )库布(🏞)里克的(✖)《发(fā )条(💺)橙》,而这(🌲)5位(wèi )“野小子”则正(zhèng )由5位女演员“扮演”,涉及到了(le )不少(shǎ(🎋)o )情色元(📙)素,探讨(🎃)(tǎo )了性(🦗)别结构(📲)(gòu )。
出(chū(👢) )租车司(🌪)机栗花(🧝)的(de )丈夫(👼)因车祸(📭)去世(shì )。栗花与儿子张(zhāng )明明的关系紧(🏭)张(zhāng ),为(🔜)得到儿(✒)子的(de )承(💚)认,她决(🛃)定做儿(👽)子(zǐ )崇(🙂)拜的英(💺)雄(xióng )。她(tā )化身出租女(nǚ )侠惩(chéng )恶扬善,无意中(zhōng )招惹(🔩)了贩卖(❄)人体(tǐ(🎼) )器官的(🤴)组织。栗(🌭)(lì )花最(🛏)终打败邪恶(è )组织,成为儿子(zǐ )敬爱的母亲。
Shaji Pappan and his gang try to redeem their arts club through a game of tug-o-war. Chaos erupts as the half-witted gang gets entangled in a bigger conspiracy.详情