青年季(jì )诺(nuò )在青年季(jì )诺(nuò )在(🗽)办完母亲(qīn )的丧(✊)礼后(😵)，动身寻找当(dā(⏯)ng )年抛(🎪)弃妻子(zǐ )的(de )渣(🤼)父，却只(zhī )找(zhǎo )到(📗)疑似(⏳)小三的肚皮舞(🍵)(wǔ )娘(💦)萝拉。殊不(bú )知(😮)这位美丽(lì )的(de )小(🍃)三，二(🔬)十(shí )五(wǔ )年前(👾)就是(🎸)季诺要找的(de )「(🌇)他」。萝拉(lā )当年的绝(🎀)情(qíng )缺(quē )席，让(🔑)季诺(⛪)难以释怀。面对(⌚)毫不知(zhī )情的儿子(🦃)，萝(⬆)(luó )拉尽管心慌(🍄)(huāng )，也(🍩)尽其可能用现(😪)在的(de )模样爱他。几(jǐ(🗓) )次互动下来(lái )，季(🚛)诺的(🧜)心逐(zhú )渐柔软(🐨)起来(🤡)。重塑自己(jǐ )且(👉)活得精彩(cǎi )的(de )萝(🔋)拉，究(😊)竟(jìng )会(huì )不会(📿)和季(🗿)诺出柜，坦(tǎn )承(🔧)自己的人生(shēng )故(😞)事？(🏤)
Two very different young men struggle to keep their grisly crimes a secret in a small town.
When a near-decade old murder case involving a movie star threatens to reopen, adult child Duke Moody decides to make a true crime documentary, financed by his mother.
Brian and Jenny are preparing for the big opening of their bed and breakfast, Emily's Country Inn, when a huge storm hits Bucks County. Brian agrees to return to Wall Street to boost their funds, while Jenny scrambles to keep the opening on time.
隔壁(bì )住(zhù )的(〽)三个(🏧)半熟(shú )女(nǚ )似(🏮)乎偷偷的在各自房(fá(🎍)ng )间做着不可告(😧)(gào )人(🔺)的囧事，而(ér )这(💷)些是石头没日没夜(🔚)(yè(🌴) )偷窥得出的结(📚)(jié )论(😧)。深知一(yī )人(ré(👧)n )技薄的石头(tóu )为(wé(🏸)i )了满足好奇，挖掘(🏗)更(gè(🏡)ng )多半熟女们的(👘)(de )私生(🕴)活，拉(lā )拢(lǒng )室(🔮)友钱芳和柳木加(🆑)入，三(🎯)个冲动期(qī )的(💽)屌丝(🕡)男面(miàn )对(duì )隔(🕦)壁的长腿(tuǐ )姐(jiě(🎉) )姐、(😘)知性御姐和甜(🤶)美(mě(😘)i )萝莉，引发出(chū(🕓) )了一连串让(ràng )人(rén )脸(🐄)红的尴尬(gà )囧(🐳)事。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
该(🆘)片是《海蒂和(hé(📫) )爷爷》导演阿(ā )兰•(💋)葛(🥑)斯彭(péng )纳(nà )最(🏺)新力(🎥)作，一部德国(guó(👞) )版的“饥饿游(yóu )戏”！未(🌏)来(lái )社(shè )会阶级(🚚)分明(🍎)(míng )，制度将菁英(🚶)与弱(🎁)者划(huá )分开来(😃)，前者(zhě )享有富足(📽)的(de )生(😖)(shēng )活与保护，后(🔎)者则(🎭)被遣送到拥挤(⏺)脏(zāng )乱的底层地(🥢)(dì )区(🅱)(qū )。为了获得(dé(🚋) )优(yō(🔅)u )渥的资源，各类(🕦)竞争(zhēng )无所不在。札(zhá(🔂) )克与娜迪获(huò(🕖) )选(xuǎ(🕜)n )参加顶尖大(dà(🚲) )学保送资格的体能(👓)训(😻)练(liàn )营，他们除(💕)了(le )要(🔐)合作完成(chéng )各(🥇)(gè )项任务，还得在个(👀)人(rén )表现上拔得(🌩)头(tó(👫)u )筹。相较遵(zūn )守(🗞)(shǒu )游(❤)戏规则的(de )娜(nà(😣) )迪，向 往自由的札(😕)克(kè(🎽) )开始质疑制度(💖)(dù )，两(🦕)人的摩(mó )擦(cā(🍻) )逐渐升高：一本失踪(♊)日记、一起意(🔖)(yì )外(🍷)命案，不(bú )仅(jǐ(🕎)n )改变他们的(de )命(mìng )运，也(🏔)揭开扭曲体制(👶)(zhì )下(🐖)的私欲与谎(huǎ(🐣)ng )言。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.详情
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