1891年(👛)，后印(yì(❇1891年(👛)，后印(yì(❇)n )象(xiàng )派(📼)大师(🖍)保(📶)(bǎo )罗(🐨)(luó )·高更在巴(bā )黎的艺术圈(quān )已(yǐ )小有名气(qì(💼) )，但为文(⏬)明社(🌃)(shè )会的(👾)虚伪与(🚓)矫(jiǎo )情(🎵)感到厌(🛺)(yàn )烦(🌨)(fán )。对于(🥁)原始(shǐ )世界的渴望驱使他离开(kāi )家(jiā )中妻小，来(🎶)(lái )到南太平(😁)洋的大(🚸)溪地；(📛)准(zhǔn )备(🐒)好为追(💠)寻(xú(🐔)n )已久的(🤧)自然、野性、纯粹(cuì )的生活与创(chuàng )作(zuò )环境牺(💊)牲一(🖥)切。忍受(🐳)着(zhe )经济(👊)上的贫(🧣)(pín )困(kù(🏂)n )和精(🐔)神(🆒)上的(👼)孤寂，高更(gèng )走进丛林深(shēn )处(chù )，认识了(le )当(dāng )地的毛利人(⛴)(rén )，邂(👻)逅了原(🗼)(yuán )住(zhù(🐓) )民女孩(💆)德(dé )胡(🕓)(hú )拉(🕔)；一段(🏻)三(sān )角关係也若隐若现地缓(huǎn )缓(huǎn )浮出。这座(zuò(🕺) )远方岛屿彷(🔶)佛是他(👮)灵魂(hú(👭)n )的(de )故土(🎓)，此处(chù(📌) )充满(🚮)生命力(😮)的人物面貌与(yǔ )地景线条都(dōu )成为他的缪思，激(📗)发他创(chuàng )作(🤨)出艺术(🧕)生(shēng )涯(🙎)(yá )中最(🚗)具标(🆗)志(💹)性的(🏅)大师之(zhī )作。
明朝嘉(jiā )靖(jìng )年间，倭患不止。朝廷(tíng )惊闻有(💹)民间(🏧)(jiān )组(zǔ(🏘) )织和朝(🔂)廷(tíng )官(😣)(guān )员里(🐻)通倭(🔭)寇(kòu )，渔(🏑)利国家(jiā )，于是责令(lìng )六(liù )扇门负责侦(zhēn )查并找(🎗)出官员通倭(🍮)证据(jù(🈁) )。六扇门(🛀)小捕(bǔ(😹) )快陆小(📘)虾临(♌)危受命(😕)，同(tóng )时(shí )被六扇门总(zǒng )捕头于初心派人追杀，危(👲)(wēi )难之际被(😰)“山河兵(⚽)团”的七(🚸)爷所救(🚉)并(bì(🎴)ng )带(🏢)回兵(😇)团之(zhī )中(zhōng )。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
前滑雪俱乐部种子选(xuǎn )手，现任雪(xuě )场(chǎng )无(🥪)照小(🐨)商贩的(🔎)女孩雅(🌰)琪(qí )捡(🕓)到了一(🗜)个(gè(📘) )来(lái )自(🎣)异世界(jiè )自(zì )称滑雪冠军(jun1 )的英俊青年(nián )穆(mù )勒(🌛)。雅琪(qí )为(wé(🈷)i )了骗穆(🏑)勒的(de )装(🙅)备和技(🚄)术去参(🍡)加比(🏺)赛(sài )拿(📿)(ná )奖金，谎称(chēng )帮夺冠就可以解除他身上(shàng )的“诅(🛫)咒”送他回家(💌)。于是在(🦁)雅琪“身(🚶)经百战(😮)”的五(🔛)菱(🕟)宏光(🔮)里开始了他们(men )边卖货挣钱(qián )边(biān )训练的艰苦同居生活(❕)。
A romantic thriller that explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway.
某外(💴)国城市(➿)(shì )，来自(🚺)韩国的(🎒)女演员(👅)英熙(💮)(xī )，正因(🐏)为和(hé )国(guó )内一个已(yǐ )婚(hūn )男子的恋情(qíng )而备(🥛)受压力(✋)，她放(🌨)弃了(le )一(🌰)(yī )切，甘(♏)受千(qiā(🛩)n )夫所指(🔮)以此(🎵)表明心(👡)迹。他(tā )说会去找他(tā )，但她并不相信。在熟识(shí )的(📄)朋友家吃(chī(🔩) )过饭，她(😡)去了海(📔)边。她认(🌖)(rèn )为(🥘)朋(🐅)友不(🥞)会(huì )理解这段感情，但还是问(wèn )道：“他会(huì )像(xiàng )我思念(😺)他一(🚓)样思念(💽)我吗(ma )”
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情
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